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CONCERT
A Dual Talent in Every Way!
„The equally talented the soprano Lazar. absolutely secure in
dangerously high notes,
yet with a strong volume and an acting talent that’s rarely
found.
Already her long red gown with a big décolleté
and her mane of blond hair caught ones attention.
The soprano bewitches the men, even leaves the stage to tease the men
in the audience with her scarf,
snuggles up to a gentlemen in the second row, sits down on his lap for
a moment and then –
unbelievable if I hadn’t seen it with my own eyes –
she begins the aria “Habanera”,
from George Bizet’s Opera Carmen, laying down on the stage: a
dual talent in every way! …
Being able to sing is one thing, but to support the sung words with
just the right gestures and mimic
is another thing. Lazar is excellent at doing both. … In the
aria „Summertime“, one of the encores,
the soprano shows her “black soul”, the Blues in
her voice – excellent.
Bravos and long lasting applause for the artists.”
AUGSBURGER ALLGEMEINE: Landsberg am Lech, Alois Kramer
Soprano enthuses with Munich charme
„Especially the opera singer from Munich, Astrid Marie Lazar,
who with her clear and
strong soprano voice masters all registers and passages with bravura,
enthused the audience.“
SCHWÄBISCHE ZEITUNG
Vocal Magic from the South
Also the soprano Astrid Lazar brilliantly portrayed roles from a
variety of opera compositions.
With utmost fervour and pathos she revealed herself as killing Tosca
and through her expressive voice
immerged the audience into the troubled world of bohemian artists life
in Paris.
The successful evening filled with Italian seductions finally peaks in
powerful vocal duets,
in which Sanchez and Lazar magically fascinate their audience, with
powerful duets
such as „Libiamo” form Verdi’s La
Traviata.”
AUGSBURGER ALLEGEMEINE, Thomas Hack
Soprano und Tenor engage in dramatic vocal duets!
Also soprano Astrid Lazar slips into various roles of the Italian opera
world and
brilliantly portrays a passionate Violetta from „La
Traviata“ or the sickly Mimi from Puccini’s
„La Bohéme“.
MyHeimat.de AUGSBURG, Ludwig Brunner
OTHERS OPERA
EIN
PREUßISCHES MÄRCHEN
(A Prussian Fairy Tale)- Auguste
Fadenkreutz
“Astrid Marie Lazar as Auguste was in first-class condition -
her comic talent is joined by a transparent lyric soprano voice that
carries easily, with clear intonation”.
NORDBAYRISCHER KURIER; Bayreuth, Alexander Dick
“Astrid Marie Lazar impresses with the masks she adds to her
crying but desirable voice”.
FRANKENPOST, Hof, Michael Thumser
COSI FAN TUTTE
- Fiordiligi
“Astrid Marie Lazar impressed with her radiant soprano voice
as a strong Fiordiligi”.
FRÄNKISCHER TAG, Bamberg, Wolfgang Pfister
GRÄFIN
MARIZA (Countess
Mariza)- Mariza
“Astrid Lazar as Countess Mariza, sings and acts really
outstanding, impressing the audience with elegance and
charme”.
ROTTAL-INN WOCHENBLATT, Eggenfelden, P.W.
“The audience was enthusiastic about the vocal and acting
performances .This was rewarded with a lot of applause and many curtain
calls in the end. Astrid Lazar is seen and heard in the title
role… Both master their roles perfectly and are undoubtedly
the favourites of the performance”.
OBERBAYERISCHES VOLKSBLATT, Mühldorf, H. Weilhammer
DER
ZIGEUNERBARON (The Gypsy
Baron)- Saffi
“Or the ’gypsy song’, sung by Astrid
Marie Lazar as Saffi, the love of Sandor Barinkay (..): Her
appearances, including the duet with her foster mother, the old gypsy
Czipra (..), were musically the strongest scenes”.
SCHWÄBISCHE ZEITUNG, Ravensburg; Dorothee L. Schaefer
DIE
ZAUBERGEIGE (The Magic
Violin)- Ninabella
“…, but especially … and Astrid Marie
Lazar as erotic seductress Ninabella were suitably cast. …-
like most of his male colleagues - had to work hard to keep up with
them, especially vocally.”
DIE SÜDDEUTSCHE; Lokalteil München, Klaus Kalchschmid
SCHWANDA, DER
DUDELSACKPFEIFER (Schwanda
the Bagpipe Piper) -
Dorota
“Astrid Marie Lazar sang and acted the role of Dorota
charmingly”.
SELBER ANZEIGER; Selb
MIGNON -
Philine
“The vocal counterpart of the innocent Mignon was portrayed
by Astrid Marie Lazar in the role of the flirtatious Philine. Her aria
‘Je suis Titania’ burst with female provocation and
joy of life, and the soprano mastered difficult coloratura passages
with increasing sovereignty”.
FRANKENPOST HOF; Hof Kerstin Starke |
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